More than seventy films across fifteen years, organised by the question each one was asking rather than by client or by year. Four recurring lines of inquiry run through all of it: surveillance and hacking, deception and fabrication, power and extraction, and culture and subcultures.
The work spans directing, producing and editing for the Bertha Foundation, VICE, Al Jazeera and Amazon Prime, across feature documentary, series and short-form investigation. Titles carry IMDb identifiers wherever they exist, so credits can be verified directly rather than taken on trust — which matters in a field where filmographies are frequently generous with themselves.
Grouping by inquiry rather than chronology is deliberate. A filmography sorted by date describes a career: what happened, in what order, for whom. Sorted by question, it describes a practice — what the work is actually for, and why one project led to the next. The through-line across all four categories is the same one it has always been: how reality gets surveilled, manufactured and sold, and who is profiting at each step of that.
( Filmography & Archive )
Organized by thematic inquiry · 15+ years of non-fiction work
Roles vary — selected directing, producing and editing credits. Full detail on IMDb.
Inquiries into digital rights, cyber infrastructure, intelligence, and the hidden architecture of tech power.
Roles vary — selected directing, producing and editing credits. Full detail on IMDb.
Investigating manufactured realities, media hoaxes, corporate greenwashing, and artificial prestige.
Roles vary — selected directing, producing and editing credits. Full detail on IMDb.
Exposing institutional corruption, state overreach, corporate exploitation, and economic violence.
Roles vary — selected directing, producing and editing credits. Full detail on IMDb.
Counter-narratives, youth movements, underground music, and global street phenomena.